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Spider-Man vs. The Sinister Six

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18×24, pencil, March 2010

HUGE 24x18 by Eric W. Meador



HUGE piece by Eric, his largest commission yet!  I’ll let him describe it…

Well, this big boy is DONE! Wow was that large! (18 x 24). My intention when I started this piece was to do the figures in mechanical pencils and the background in a 6-b wood pencil. When I got to the background I didn’t like the contrast in texture that the two leads left, so I did the background with the mechanical pencil. I have already wrote about how i set this piece up. You can read about that here.

The world of comics can be a funny place for anything resembling logic. One of my favorite quotes from the movie “Stand By Me” shows this too well…

“Boy, you don’t know nothing! Mighty Mouse is a cartoon. Superman’s a real guy. There’s no way a cartoon could beat up a real guy.”

So when I say that my take on a character, it is due to some logic I have in my head about comics, specious as it may be. The Vulture, Green Goblin, Doctor Octopus and Electro I didn’t do really any changes to. I made Vulture look a little younger, Doc Ock a little more in shape, other than that I love the designs of the characters.

When it came time to do Sandman I didn’t want to do that striped shirt and the mace hand. I knew that. I liked the idea of him being very elemental. A force of nature. I had the most fun drawing him. If you can see in the detail of that character I drew the majority of him using little circles. In all seriousness I love doing very tiny tedious things like that.

The way Venom is portrayed has always confused me. I know the character and what the symbiote is about, but the massive bulk never made sense to me. I rendered it as if the symbiote was using Brock (or Gargan) as an endo-skeleton and to imitate the musculature of the human body around the person.

All I can add about Spider-man is that when I first put him to paper I did the lines on his costume for the webs but it really flattened him out. I remembered that Alex Ross said something about using the 3-D effect of the webs (as in the movie) to help give the red part of the costume shape.

This is a big piece, so some of the detail is lost in the picture I took. I took some close-ups of various areas so you could see some of the details.

close-up-vulture

In closing I’d like to thank you for taking the time to look at this piece, and a BIG thank you to Alex Gonzales for commissioning the piece!

-Eric


 

 

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One Comment

  1. Mike Pascale at Mar 31, 2010 10:24:56

    Absolutely spectacular, Eric! I shudder to think of the time spent and patience needed but admire you for both!


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